There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
United States Grand Prix — Oct. 25
。新收录的资料对此有专业解读
meaning that indexing into it based on what humans call “characters”
但我知道不是这样的，被抄袭的除了福楼拜之外还有一大堆的作家，除了《时间中的孩子》还有更多的书。杨本芬抄的也不止个别句子，而是对某个作家整段话的照搬。